January 2nd, 2011 Comments Off

This website is a collation of writing work I have done in the past 12 months, both professional and personal. Part folio, part blog, it is a taste of my versatile writing style and publishing credits.  Writing is the thread that weaves all the elements of my life together. Enjoy.

Living Sculpture – Lindy’s cover story for Owner Builder Magazine

May 31st, 2011 § Leave a Comment

Published in June/July issue of Owner Builder magazine, Lindy’s feature article provides an insight in to the Living Sculpture that is the home of artist Sioux Dollman, in the Yarra Valley. The seven page feature also earned a front cover! Click here to read the article:

Lindy’s cover story for Owner Builder feature with Sioux

Food Service – The Koha Community Cafe

April 27th, 2011 § Leave a Comment

 At ten minutes to six, there are already twenty people standing, plates in hand, in the queue. Donna, a single mother, waits with her two children, a baby on her hip and a four year old hugging her leg. From behind the servery window she hears the clatter of spoons and smells the waft of food – dinner tonight is served by volunteers at the Koha Community Café, in Yarra Junction in the Upper Yarra Valley. The chalkboard details the vegetarian fare for the evening; a vegetable curry, rice pilaf, garden salads, pasta bake, calzone and apple crumble have all been prepared that day using seasonal and donated produce from the region. However, there is one noticeable absence – there are no prices on this menu – the Koha Community Cafe operates on a ‘pay what you can afford’ philosophy with patrons making donations in a large timber box at the doorway after they have eaten.

In the next 24 hours, 6% of Victorians will experience ‘food insecurity’, defined as ‘having run out of food (in the last 12 months) and could not afford to buy more’ (Community Indicators Victoria, 2009). In real terms, this equates to over 370,000 people not knowing where their next meal is coming from. Socially marginalized groups like the homeless, the elderly and the mentally ill are most prevalent in this figure; however, there is every likelihood that a person or family living down the street or  in your immediate community could tonight be that statistic.

In rural areas, this percentage is even higher, and two years ago when Warburton resident Suyin Chan heard this figure she felt urged to respond. While studying for her Diploma of Community Development, Suyin attended a lecture by Shanaka Fernando creator of ‘pay what you can afford café’ Lentil As Anything, and this seeded the idea for the Koha Community Café, which opened last February after 18 months of planning. ‘I was inspired by Shanaka’s vision,’ says Suyin, ‘and although his approach was focused on supporting migrants, I could immediately see how it could be applied to any marginalised group and was especially relevant in the community in which I lived.’

The ‘pay what you can afford’ café model is based on the principles of trust and generosity. Meals are prepared based on what is available and are nutritious, good quality and vegetarian. The not-for-profit café serves 50-70 meals every Thursday night to members of the local community regardless of status or financial circumstances. The ‘pay what you can afford’ model means that those who can’t afford a meal can be fed, while those that can afford to, contribute as generously as they feel. There are no expectations around price and every person is treated equally. Underpinning this model is a level of community consciousness that holds values, ethics and generosity in higher esteem than profit or economic success.

Suyin sees this ‘social inclusion’ model of food security as a vital link in improving basic access to quality food, an approach that augments the more established ways of providing emergency food relief such as soup kitchens, food parcels and food vouchers. ‘It’s a hand up, not a hand out approach,’ she says, ‘one that seeks to develop strong ongoing ties in the local community and be self-sustaining.’

Volunteers are the lifeblood of Koha Café. They are a diverse group of people who contribute to the day to day workings of the café and are the key to the sustainability of the café’s business model. Some volunteer to support the initiative and ideals of the Café, others as a way of contributing to the community or in exchange for what they receive. For some volunteers, work at the cafe has provided them with more than food in their bellies. At a deeper level, their contribution has provided them with a renewed sense of purpose and a feeling of belonging that transcends socio-economic measurements. Kathy now has experience as a kitchen hand and for the first time in her life is feeling confident about applying for ‘real’ jobs in hospitality. Volunteering at the Café is like a balm for feelings of isolation and for a person who might be feeling marginalized, a bridge back into life in the community.

The Koha Community Café is beginning to work with local food growers to establish supply chains that support local employment and sustainability. Training equips volunteers with necessary skills and adds to their employability in the region, and a few community gardens are developing food-growing programs to ensure a continued supply of seasonal produce to the Koha kitchen. Food sovereignty, where people are able to influence, work in and benefit from the production and acquiring of food to support not only their own needs, but also those of a broader population, is a guiding principle for these endeavors. For the people at Koha, the return to community-based food security is a return to a way of thinking that should never have been lost.

Australians throw out $5 billion worth of food per year (The Australia Institute). The Feed Melbourne campaign (2010), a joint initiative of food charity Fareshare, advocacy group Do Something, and Leader Newspapers, recently ran a campaign to help collect, store and redistribute ‘dumped food’ (often by major retailers) that was still fit for human consumption. At Koha a similar principle applies with local farmers, local restaurants and other food distributors being encouraged to drop off their excess at the Koha kitchen. ‘We had so many zucchinis and pumpkins one day,’ laughs Suyin. ‘that everyone who came that night left with vegetables to take home.’ Lundqvist estimates there is a ‘field to fork’ food wastage factor of approximately 50% – the redistribution of food could have many advantages including a positive environmental impact.

‘The truth is we wouldn’t be able to operate if it weren’t for the food donated to us, the volunteers who so generously donate their time each week and the fact that we rent the kitchen and dining hall space for only the time we need it, one night a week,’ says Suyin. ‘If we had to pay rent for premises a whole week, we just wouldn’t be able to manage.’

‘When we consider the concept of success in a community café such as Koha the reality is that, by economic standards, it doesn’t make much sense. Western culture wants to see dollars in the bank,’ says Suyin. ‘We want to be measured by how many people we have been able to feed, and the other services or value we bring to the community. This month we have been able to provide two part time employment positions through a government training scheme. We provide opportunities for work experience and accredited training in areas like food safety, and in the future we hope to offer hospitality training as well. There is even the opportunity for local artists to take to the stage and provide the entertainment for the night. We are seeking grants so that we can provide cooking and nutrition classes to the members of our community in most need and see this kind of community interaction extending to all sorts of activities that support self reliance, not just in food and nutrition but in all aspects of community life.’

Beyond initial ‘seed’ funding via a grant from the local Community Enterprise Foundation (funded by local branches of the Bendigo Bank), the Koha Café has been wholly reliant on donations. ‘If ever there was a situation of “money in the bank” we would be able to reinvest it into funding other community activities, but right now we are thankful to earn enough to stay viable for another week,’ says Suyin. ‘We get so excited if there is just one fifty dollar note in the donation box at the end of an evening.’ says Suyin. ‘Every dollar given at the end of a meal is critical to our viability–to our ability to continue to feed the people.’

The cafe has been in trial operation for six months and by all accounts has proven the need for its existence. The steep and sometimes difficult learning curve has reinforced the value of what is being offered. Each week, Suyin and her volunteers are encouraged by the looks of contentment on people’s faces and the rising volume of conversation in the café which is experiencing steady patronage in excess of what was originally envisaged. In all her Australian research, Suyin could not find another example of a community restaurant (aside from Lentil As Anything) operating the same way as Koha.

It is clear that the Upper Yarra Valley community wants the Koha Community Café to prosper. Alan Seppings, owner of Warburton’s Wild Thyme Restaurant, is a strong supporter of the Koha Café, regularly sending excess food from his coolstore or lending kitchenware. His family has eaten at Koha several times and he has been impressed with the meals. ‘The kitchen staff work really hard to send out food of that quality and nutritional value,’ he says. ‘I see many people there I’ve never met in my restaurant and that says to me that Koha is drawing people out of the isolation of their homes and into the community. There’s a lot of need up here (in the valley) and I see first hand how the Koha project is doing more than just providing meals – people are developing skills ranging from food growing to hospitality. Socially and vocationally, that supports people to reintegrate into the community.’

The Universal Declaration of Human Rights (1948) states ‘everyone has the right to a decent life, including enough food, clothing, housing, medical care and social services.’ Dr Beverly Wood (Victorian Local Governance Association Food Security Officer) in her paper Narrowing the Gap: An integrated approach to improving food securing for the vulnerable and homeless people states that it is ‘imperative we are working toward ensuring that everyone of us can always obtain food in socially acceptable ways, through non-emergency food sources.’ She goes on to say ‘…we can all expect to experience food insecurity at the time in our lives when we are most vulnerable…lack of food produces the same patho-physiological and behavioural changes in all people…’

Donna and her family sit at a shared table in the communal dining room. The hall is warm and comfortable, homely even, with its Laminex tables and mismatched crockery. Her children have been fed and entertained and she spends a few moments chatting to some new friends she has made that evening. Donna is not considered ‘poor’ but with grocery costs rising over 10.3% (ABS) in the last year and a few other unanticipated expenses, Koha provides her with some relief. Many emergency food relief services in Victoria, and the Yarra Valley, have been faced with increasing demands on their services – some by more than 100% (Salvation Army Project 614). Life is harder for many families regardless of their social strata, and Donna is just one example of the kind of family, the ‘new poor’, that now finds it necessary to use relief services. At Koha, when she can’t afford to pay much, she stays behind and helps to clean up, that way she feels she is contributing.

Dr Wood’s research considers ways to ‘promote concurrent and equitable social and food connectedness and inclusion for the vulnerable and homeless people in local areas.’ She says, ‘The opportunity now exists to use the concept of community and individual food security in a human rights framework.’

The Koha Community Café is an inspiring example of how this might be achieved.

 Join the Koha Community on Facebook


References

Australian Bureau of Statistics, 2010, ABS Consumer Price Index March Quarter 2010. Accessed 29/4/2010 from <http://www.abs.gov.au>

Baker D, Fear J and Denniss R, 2009, ‘What a waste’ The Australia Institute.

Chan, S 2009, Report : Proposal to establish a ‘Lentil as Anything’ restaurant model in the Yarra Valley, Prepared for Diploma of Community Development, Swinburne University.

Community Indicators Victoria, Accessed 22 September 2010, <http://www.communityindicators.net.au/>.

Declaration of Human Rights, Article 25, Accessed 22 September 2010, <http://www.un.org/en/documents/udhr/index.shtml>.

Feed Melbourne, Accessed 22 September 2010, http://www.feedmelbourne.org.au/.

Lundqvist, J C de Fraiture and D. Molden 2008. ‘Saving water: From field to fork – Curbing losses and wastage in the food chain’. SIWI Policy Brief.

Second Bite, ‘More hunger, more waste’. Accessed 22 September 2010, <www.secondbite.org/resources>.

Woods, Dr B 2004, ‘Narrowing the Gap: An integrated approach to improving food securing for the vulnerable and homeless people.’  Council of Homeless Persons, Accessed 16 September 2010, <http://www.secondbite.org/resources/documents/NarrowingTheGapAnIntegratedApproachtoImprovingFoodSecurityforVulnerableandHomelessPeople.pdf>.

The Way of the Natural Therapist

December 20th, 2010 § Leave a Comment

I wrote the foreword for the recently released book “The way of the Natural Therapist‘. Here it is for you now.

Foreword

Lindys Foreword

Lindy's Foreword

‘Know thyself’ – like many natural therapies, these words have withstood the test of time, across cultures and alongside the advances of modern man in a range of fields. For a therapist the words ‘know thyself’ are a mantra for authentic inner growth and effective therapeutic practice and today, with the increasing demands of modern life, natural therapies are an important part of any individuals health plan.

Leisa Miller and James Ketub Golding have assembled a range of therapists from different modalities to talk about their own practices and provide the reader with an insight into who and why they work the way they do. But more than that, they have created an all important sense of community, inviting the new practitioner into the stories and experiences of more experienced practitioners, providing links and insights into the similar, yet different ways that people work.

What makes a ‘good’ healer or therapist? This is a question worth considering and this book allows us catch a glimpse of the ‘calling’ experienced by some of the best. We witness how beyond the ‘calling’, deep authentic growth is an essential part of continued ‘good’ therapeutic practice. I see this in the people in our therapeutic team at The Gawler Foundation. They renew themselves again and again in their work, they are the living embodiment of what they teach and they take time to retreat regularly. They are therapists because their deepest instincts have called them to the work and there is a substance in them that stems from their life experience and the challenges they have risen to. In all of this, deep inner growth is the grist of a therapist life.

The Gawler Foundation is also a living example of what it is to work with a sense of community. Natural therapies are a pillar of our work, taking an integrated approach to health, healing and wellbeing. Many of our therapists have several therapeutic specialties, crossing modalities and integrating them into unique offers that benefit clients in the everyday encounter. Our programs are fundamentally based on a carefully considered mix of natural and traditional therapies: meditation, nutrition and counselling are supported by massage, Qi Gong, yoga and other client specific modalities offered in response to individual healing needs.

Leisa  and Ketub are generously donating proceeds from this book to The Gawler Foundation.. They do this in recognition of the way therapists can work together to provide a comprehensive and holistic approach to individual and collective wellbeing – this also the way of The Gawler Foundation. By offering this support, they are acknowledging our credibility in integrated health care, the value of multi modal therapies and the very real need for funded research into natural health care – research that is independent and without the influence of pharmaceutical designs. We acknowledge The Way of the Natural Therapist as a book that is of its time, and a special resource for therapists in their pursuit of excellence.

Uniquely placed, this book is one of the first to explore the value of deep authentic growth, and place it alongside technical knowledge and experience as key to therapeutic brilliance. This is as true for therapists as it is true for the individual. Knowing another’s story is way wonderful way to ‘know thyself.’

Site Seeker – Warburton

October 1st, 2010 § Leave a Comment

Published in Autumn Issue of Yarra Valley Experience Magazine.

The charming village of Warburton is nestled at the foothills of Mt Donna Buang, in the Upper Yarra Valley, 70 kilometres from Melbourne. Surrounded by seven mountains, the township offers day-trippers and weekenders a true ‘getting away from it’ experience that includes snow play in the winter, the best of café culture everyday and the rich life of the river during the summer months. But for those seeking nature beyond the main street, there are many unspoilt, ‘off the tourist trail’ sites that the locals are happy to direct you to.

Site seekers can explore natures finest any day of the week – and it’s all cost free.

Redwood Forest

Redwood Forest

 

Just one kilometre up Cement Creek Road, man and nature combine to provide a stunning ‘stand’ of Redwood trees. A trial plantation over 50 years ago, the area is untouched and has a special symmetry and silent beauty that begs to be photographed. There are 1500 trees in the plantation, which is considered significant by the National Trust.

The Ada Tree

Stand in awe of nature. The 3.6 kilometre return walk from the picnic ground car park is a delightful wander through a cool climate rainforest canopy beside pristine streams. Ada is a 300 year old grand dame standing 76 metres high. She has survived logging, firestorms and every other natural disaster of the area.

Big Peninsula

 

Big Peninsula Tunnel – Woods Point Rd, East Warburton

When a gold rush swept through the valley in the 1800’s the man made tunnels were used to divert water-flow so miners could pan in the shallows. Nowdays it’s the golden summer days that draws water lovers to the banks of a swimming hole for frolicking good fun. There is also a pretty picnic area and walk at the Little Peninsula Tunnel.

La La Falls

Gather in the clear, cool shallows of this almost magical, tucked away waterfall. Follow the 1.6 kilometre trail through Mountain Ash and tree ferns to the cascades which run all year round. La La means welcome and if you keep an eye out plenty of local wildlife will greet you.

The Rainforest Gallery Walk

Experience bird life at their level. The Skywalk is an aerial walk suspended 30 metres above the ground, in the rainforest canopy. Follow the information boards, which reveal interesting facts about the vegetation and local Indigenous culture, for a nature lesson as you walk the tree tops.

Seven Acre Rock

Feel on top of the world. Walk the 2 km return trip to this imposing granite rock with superb views over the Yarra State Forest, the Bunyip State Park and, on a clear day, as far as Western Port Bay.

The O’Shannassey Aquaduct

100 years of water harvesting have preserved the forest surrounds and the old access track. The 30 kilometre trail snakes gently along the base of the mountain offering views across the Upper Yarra Valley, many varieties of native birds, wild deer and the odd wombat. Cycle, walk or run – there are plenty of exit points that will drop you back into town for a latte or local wine.

AT A GLANCE

Warburton Secrets

 

Redwood Forest Cement Creek Rd, East Warburton

The Ada Tree Ada River Rd, near Powelltown (26 km SE of Warburton)

Big Peninsula Tunnel Woods Point Rd, East Warburton

La La Falls Old Warburton Rd, Warburton

The Rainforest Gallery Walk Mt Donna Buang Summit Rd, Warburton

Seven Acre Rock Learmonth Creek Rd, (off Yarra Rd) East of Yarra Junction

The O’Shannassey Aquaduct Access from Yuonga or Surrey Rd, Warburton

For more information www.warburtoninfo.com or www.parkweb.vic.gov. When in Warburton visit the Waterwheel Tourist Information Centre on the Main St.

2010 in review

September 1st, 2010 § Leave a Comment

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Fresher than ever.

Crunchy numbers

Featured image

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 1,800 times in 2010. That’s about 4 full 747s.

 

In 2010, there were 16 new posts, growing the total archive of this blog to 33 posts. There were 20 pictures uploaded, taking up a total of 7mb. That’s about 2 pictures per month.

The busiest day of the year was January 7th with 37 views. The most popular post that day was Warburton is ‘Surviving Georgia’ – Australian Film comes to town..

Where did they come from?

The top referring sites in 2010 were facebook.com, survivinggeorgia.com.au, wordstolife.com.au, WordPress Dashboard, and google.com.au.

Some visitors came searching, mostly for surviving georgia, pia miranda, lindy schneider, lloyd cole, and jakpack.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

Warburton is ‘Surviving Georgia’ – Australian Film comes to town. November 2009

2

About Lindy Schneider October 2009
4 comments

3

Two beans in a Cherry – Coffee Cupping 101 December 2009
5 comments

4

Grand Designs August 2010
1 comment

5

Enough Said – Costco, consumerism and crap February 2010
5 comments

Grand Designs

August 8th, 2010 § 2 Comments

When it comes to ‘larger than life’ installation art, Yarra Valley resident Sioux Dollman is an artist who brings a whimsical quality to the grandest of works.

Sioux feels she was born an artist and has painted since she was a young child, but that hasn’t made the journey any easier. ‘Whenever I was asked to paint a boat or a tree I could do it but it often felt like something was missing. I much preferred to paint things that felt as if they were coming from somewhere deep within me.’

‘I was 35 before I did a painting that I truly loved with my heart and to get there I had to do immense healing work. It’s like every piece of work I do is a lifetime.’ she says.

After completing a Diploma in Graphic Art in the late 80s, Sioux began working with a multitude of media options from acrylic paint and mosaic, to sculpture and render. She designed floats for Mardi Gras, mosaiced an archway entrance for the butterfly enclosure at the Melbourne Zoo, featured in many exhibitions including one at the prestigious Jackman Gallery, St Kilda and provided set design and ‘sensory places of being’ for dance parties and events like the Melbourne Cup and other spectaculars.

‘I never knew how to do anything. I’d just say yes and then work it out. I learnt so much on the job and was always reaching deep into my creativity to come up with a way to do things.’ say Sioux. When a client wanted giant ice cubes filled with fruit, Sioux knew there was no instruction manual. She just had to go into the flow of each piece and find a way to make it happen. ‘I use that approach in my work all the time now. That way there is always something fresh and new for me to explore.’ she says. ‘I still get nervous and scared when I start a new project – even my own house – but you just have to go through that fear and trust the vision.’

Five years ago Sioux visited the town of Warburton for a weekend away. Within weeks she had re-created her life and relocated to the pretty village, leaving a relationship, family and work commitments behind in what she describes as ‘a leap of faith’ that spoke to her heart, her respect for nature and sense of wonder.

Instilled with a passionate belief that we create our own reality, Sioux quickly found her place in the community and her artistic presence was felt throughout the locale. Her initial works at Warburton’s NRCL Eco Education Environment Discovery Centre – Platypus Walk and exhibitions at the Upper Yarra Arts Centre were, for her, manifestations of her vision and reinforcement her instincts were right. Her contagious energy, lightheartedness and warmth were an open invitation for people to take a closer look, and to take her work seriously.

But it was a chance meeting with local eco architect Alvyn Williams that ‘cemented’ a new direction in her choice of media. Ferro cement render – a combination of plasterers sand, lime and cement most commonly used to render walls on, for example, straw bale houses – opened up a new way of working for Sioux. Together Alvyn and Sioux pioneered a technique for bringing natural, artistic detailed render effects to the exterior of the Technology building at the Upper Yarra Steiner School and Alvyn’s own office building. ‘We have been interested in the use of art as an integrated part of the fabric of the building – to communicate the values and aspirations of people today, to those in the future who will come into contact with these buildings.’ says Alvyn. The Upper Yarra Community Environment Park Studio and several buildings at Mansfield Steiner School now also proudly display Sioux’s craft. Alvyn says, ‘There is an immediate effect… people love Sioux’s bold and decorative shapes and colours, the cross pollination of nature and magic and the bit of sparkle.’

The essence of Sioux’s work is visionary art and magical creations. Whether she is sculpting a one metre high snail letter box or a two story high interior wall render, such as the ‘tree of life’ commission she did for Warburton home owners Linda Ho and Jerome Pelletier, Sioux’s work is ‘ original, powerful and magnificent’ says Linda. ‘Sioux is a dynamic, creative and passionate artist who pours love and joy into her work.’

‘I think it’s because I am small that I have such a fascination with the large.’ says Sioux. Inspired by the Austrian architect Friedensreich Hundertwasser, and the ubiquitous Spaniard Antoni Gaudi, Sioux’s work resonates a similar respect for nature and beauty, enhanced by her own magical touch. Hundertwasser once said ‘a straight line is killing mankind’ and Sioux’s art has an organic quality that flows in a natural embrace of all it encounters. The same quirky, fantasy –like detail and capacity to be playful with shape and form is as authentic for Sioux as it was for these two most influential artistic-architects.

Sioux’s greatest project to date is her own new home. Nestled in a small valley overlooking Mt Donna Buang, her studio/home is a fantastical and  detailed ode to her talent and belief in magic and joy. The canopy over each balcony has been hand cast by Sioux, rendered and decorated with whimsical mosaic effect. Each exterior wall is touched with the indelible mark of nature in motion, and inside this modest abode, even the bath has been touched by Sioux’s handiwork, hand sculptured and mosaiced  in gold and aquamarine. The house has a dreamtime quality and a character all its own that immediately delights and inspires. Larger than life cement snails crawl across the walls, with vines and gold leaf effects marking their journey. ‘Sometimes when I am lugging buckets of heavy cement up scaffolding I think why am I doing this?’ says Sioux. ‘But when I sit with my little tools and start coaxing the design out of these materials I feel like the house is talking to me. It’s magic and it is my heart speaking.’

Sioux’s philosophy on the connection between beauty, art and community is clear. ‘The essence of art is that it sustains life. Sustainability is not just about planting a vegetable garden or recycling rubbish. It is about creating beauty on the inside as well.’ Sioux says. ‘Through art and beauty we are able to create a shared sense of life, love and wellbeing. I think it is vital that we surround ourselves, and our communities, with beautiful things that sustain us and bring us joy’ – or as Sioux’s artists statement says  – ‘create heaven on earth.’ For Sioux, life depends on it.

Word count 1100

End note:

For more information visit www.siouxdollman.com

Visit Sioux at her studio/home during the Yarra Valley Open Studio event, September 17-19, 2010. Visit www.yvopenstudios.net.au for more information.

Alvyn Williams is the principle architect at Soft Loud House Architects, Warburton www.softloud.com.au

 

Shaping the Future

August 1st, 2010 § Leave a Comment

Published in the Australian teachers magazine August 2010 (page 46)

Ask Lisa Takdare what book she is currently reading, and most adults will look puzzled when she mentions the author or title. When Lisa lists her favorite authors she has more in common with the children at the school library where she works, than the average Australian reader.

Lisa is an emerging children’s writer and for her, just being surrounded by books everyday is a source of inspiration. She finds a story germ will often just ‘pop in’ and, regardless of where she starts, each story seems to naturally gravitate to the children’s genre. This is how she knows she is a children’s writer. ‘I am surrounded by a vast array of children’s books every day, and see how children relate to different stories.’ she says.

Surrounded by over 25,000 books, Lisa also has over 1200 children as a ready resource for feedback on her story ideas. She is close to the action, seeing first hand how and why a book garners a response, and a simple trip to the junior library can shape a whole new story idea for her.

Writing has been a shaping influence on Lisa’s life for almost 20 years. As a young woman with a new baby living in Jakarta, writing initially took hold in her life as a means of relieving boredom and exploring her thoughts. Lisa says, ‘writing is like being in a river, and I just had to flow with it.’ Within this flow, characters, protagonists and plots started to take emerge and Lisa found herself ‘tinkering’ with writing in amongst the many other demands of a life filled with work and family responsibilities.

But it was a resolute ‘just do it’ from a journalist friend 3 years ago, that finally had her making the space for her writing to become a real and valid pursuit. She enrolled in the Diploma of Professional Writing and Editing course and eagerly awaits the children’s writing unit next year.

Writing has given shape to Lisa’s life and her approach to her writing is practically minded and self-aware. She has an innate knowing of her strengths and her challenges and cites the development of perseverance, and the cultivation of undisturbed space (physically and mentally), as having the most impact on her writing. There is a clear sense that it is the words that matter most, and the ancillary activities associated with being an author – the festivals, the publicity trail and the talks – hold little appeal for her.

Lisa would rather see the eyes of the children grow wide with wonder and, when she talks of how her own teenage children are dedicated to the writing craft, her dark blue eyes glimmer with a similar quality.

If we are shaped by our surroundings, then Lisa has placed herself at the centre of a symbiotic union between writing and children. Her first book, yet to be published, will mark the beginning of a flow of works that will be received with glee by the greatest critics she knows – the junior school at St Michaels Grammar School.

And as for the shape of things to come, Lisa maintains her characteristic poise and says, ‘The lesson has been to take myself, and my writing, seriously so that others can do the same. I need to write and in doing so I am a better person for myself and for others.’ Lisa has a clear vision of her writing future – some would say she is already there.

See Article Lisa Takdare as pdf

Dancing Fish

July 15th, 2010 § Leave a Comment

Published in the Jetstar ‘What’s your story’ online magazine

The restaurant chosen by our hosts, three rounded Japanese business distributors, has a classic Tatami room, fabulously expensive and noted for its strict adherence to traditional custom and ritual. Apparently the food was supposed to be pretty good too.

As the only woman in the party, I am afforded a discrete amount of respect, notwithstanding it is highly unusual for a woman, of my age and from Australia, to be included in a business mans lunch.

‘You like Sushi?’ says my Japanese colleague Yas.

‘Yes, of course.’ I say, because I do.

A woman shuffles into the room, weighted down by her heavy kimono, and places large platter it directly in front of me. Four smiling faces motion to me to begin.

I pick up my chopsticks and lean forward, doing my best impersonation of someone who has used these utensils many times. This is the biggest, freshest tuna fish I have ever seen in my life. Fillets have been sliced from its side, rearranged and placed back on the fish as decorations, like rosettes and ribbons.

Chopsticks poised, all eyes upon me, I am about to select a juicy morsel when all of a sudden…oh my god…the fish starts JUMPING ABOUT on the plate.

I recoil so suddenly I topple backwards over the cushion I have been sitting on and nearly meet my fate by crashing into the bamboo and rice paper tatami wall behind.

‘It alive, Miss Lindy.’ says Yas in his best high school English. ‘We call…dancing fish.’

‘Delicious,’ I say, recovering  my composure, ‘pass the wasabi.’

Poor fish. Out of a sense of respect I persisted and ate several more pieces of its ultra fresh flesh. Then it was taken away from the table to reappear later in a soup, and later still as a curry. The last thing I remember of this fancy dinner in Tokyo was a little black fish eye staring at me. ‘It is customary for the guest to eat the eyeball.’ says Yas, a gallant host until the end. ‘It would be my pleasure if you have it,’ I say, ‘really I insist.’

Getting the etiquette right while travelling in foreign countries on business can present all sorts of challenges. Food is often the first affront to Western sensibilities however if you can embrace the differences, you will have an immediate insight into what makes a country and its culture. I did.

Native foods not new foods

July 8th, 2010 § Leave a Comment

Published in Backyard Farmer March 2011 (Earth Garden) and Herbology June 2010

Backyard Farmer pages 1 and 2 ‘Native foods’ by Lindy Schneider Backyard farmer pages 3 and 4 ‘Native foods’ by Lindy Schneider

The latest food trend to hit Australian shores is not new at all. Regardless of the current hype that surrounds native foods, we cannot escape the irrefutable truth – these foods have existed for at least 40,000 years and we have ignored them for most of that time.

Native foods have been the foundation of an indigenous diet providing essential nutrients and sustenance long before they became the latest fashionable condiment for a restaurant menu or home pantry. The Australian food industry has finally discovered what our Indigenous neighbors always knew, and the food world is listening.

The growing interest in native food, (or bush foods) could be considered long overdue, but it is our sudden explosion in demand that is both the challenge and the  boon for native food producers.

First bought to our attention in 1988 by TV program Bush Tucker Man featuring Les Hiddins, a reality-style program that featured the sourcing and use of native foods, the industry is poised for significant growth both in Australian and overseas. From humble beginnings in the late 1980s, the industry grew to around $14M in 2004, according to CSIRO research.

Visit your local specialty food store today and you will find a vast array of native foods on the shelf: from bush tomato sauce to wattle-seed based pastas, pepper-berry BBQ rubs and quandong jellies. Live in an upmarket suburb and even your local supermarket will carry these lines. In a ‘value-added’ form these products are becoming increasingly accessible to the Western palate.

The bush food industry is unlike other primary produce sectors as it relies heavily on wild harvest. With growing demand, the challenges of growing commercially viable quantities, providing year round availability on highly seasonal products and delivering consistent quality that meets Australian regulations, all become apparent.

But there are several other important issues that must be addressed before the bush food industry is over run by opportunists and marketers.

Maintaining the integrity of bush food products is vital. Already online bush food forums comment on the dilution of flavor they are experiencing in commercially packaged bush foods. Cost cutting, by using an essence of the food rather than the food itself, is already being touted as one of the biggest threats to the industry.

Native food purists also dislike the ‘across cultures’ approach being taken by some manufactures who blend native spices into Egyptian-style dukkah mixes in an attempt to drive sales.  There is a discussion to be had about adapting native foods to Western sensibilities whilst remaining authentic to traditional usage.

Native Foods are intrinsically woven into the history of Indigenous Australia and this heritage needs to be acknowledged. This requires more then placing a logo on a label or a dot painting on packaging. The knowledge, use and methods of harvesting and preparing bush foods are a cultural dynamic that must be respected. Deep inter-relationships between seasons, nature and environment have been studied and utilized for tens of thousands of years, and modern man with his belief in the dominance of modern agricultural techniques, should be reminded to consult the true growers of these foods.

Indigenous communities should benefit most from the current growth in the native foods industry.  Proceeds must flow to and support the right people – the people who have always cultivated them.

South Australia is the leading Australian state in native food production and in the past decade the government has committed resources to the development of growers and distribution alternatives. Most, however, lack funds for marketing and education and are still to instigate a strong Indigenous presence in the workforce.

Mike and Gayle Quarmby of Reedy Creek are pioneers in this regard, linking their native plant nursery with the desert lands of several northern Indigenous communities in South Australia.

Knowledge, skills, machinery, resources, and profits are shared amongst the various communities with the emphasis on developing sustainable growing and harvesting practices. Their program and financial investment now provides employment for many Indigenous men and women and brings new life to struggling communities.

The concept of eating Indigenous food off our land is an environmentally sustainable and ethically sound proposition. The concept that Indigenous communities be sustained and supported by the bush food industry is equally sound.

Carolyn Briggs, Indigenous Proprietor, Tjanabi Restaurant, Melbourne, sums up her approach to Native Foods by saying, ‘we take responsibility for knowing exactly the path our food has taken, and minimizing waste, to run a sustainable establishment. We will give back to the earth that feeds us by supporting local produce, art and communities and promoting a holistic, eco-conscious attitude.’

Australians have adopted foods from many cultures, and now it’s our turn to offer something, beyond pavlova and lamingtons, in return. If we are to give as good as we get, then we need to give what is due to our bush food friends.

References:

Australian Native Produce Industries, The Native Food Industry in SA, Anthony Hele, November 2001

Australian Bushfoods Magazine online

http://www.ausbushfoods.com/new/index.php?option=com_content&view=article&id=158:reedy-creek-nursery&catid=14:to-market&Itemid=67

Follow

Get every new post delivered to your Inbox.